Tressie McMillan Cottom, author of Lower Ed: The Troubling Rise of For-Profit Colleges in the New Economy, will be reading from her latest book, Thick: And other essays. Q&A and signing to follow.

About the author: Tressie McMillan Cottom is an assistant professor of sociology at Virginia Commonwealth University. Her work has been featured by the Washington Post, NPR’s Fresh Air, The Daily Show, the New York Times, Slate, and The Atlantic, among others. She lives in Richmond, Virginia

From the publisher:

"One of Book Riot's “The Best Books We Read in October 2018”

“To say this collection is transgressive, provocative, and brilliant is simply to tell you the truth.”
—Roxane Gay, author of Hunger and Bad Feminist

Smart, humorous, and strikingly original essays by one of “America’s most bracing thinkers on race, gender, and capitalism of our time” (Rebecca Traister)

In these eight piercing explorations on beauty, media, money, and more, Tressie McMillan Cottom—award-winning professor and acclaimed author of Lower Ed—embraces her venerated role as a purveyor of wit, wisdom, and Black Twitter snark about all that is right and much that is wrong with this thing we call society.

Ideas and identity fuse effortlessly in this vibrant collection that on bookshelves is just as at home alongside Rebecca Solnit and bell hooks as it is beside Jeff Chang and Janet Mock. It also fills an important void on those very shelves: a modern black American feminist voice waxing poetic on self and society, serving up a healthy portion of clever prose and southern aphorisms as she covers everything from Saturday Night Live, LinkedIn, and BBQ Becky to sexual violence, infant mortality, and Trump rallies. Thick speaks fearlessly to a range of topics and is far more genre-bending than a typical compendium of personal essays.

An intrepid intellectual force hailed by the likes of Trevor Noah, Chimamanda Ngozi Adichie, and Oprah, Tressie McMillan Cottom is “among America’s most bracing thinkers on race, gender, and capitalism of our time” (Rebecca Traister). This stunning debut collection—in all its intersectional glory—mines for meaning in places many of us miss, and reveals precisely how the political, the social, and the personal are almost always one and the same."